I make 2-3 duplicates of the mask, so that I can apply different changes to the sky, and quickly turn the specific objects on or off. This way I only make adjustments to the sky, and not the entire image, when I use the Lens Object Adjustment features. Next, I used the Mask Tool to mask the sky and copy and pasted this ( CTRL+C, CTRL+V), to create a Group object with it. I then adjusted the opacity of the brush stroke object by tweaking the Opacity slider at the top of the Object Manager Docker. I now painted 7 sun rays from the sky down onto the street towards the square, using white color. I increased the width of the nib slightly using the Nib Size settings in the Property Bar. I chose the Art brush > Large Soft from the drop-down list in the Property Bar. I start by creating a New Object in the Object Manager Docker ( Object > Create > New Object), and using the Paint Tool ( Toolbox > Paint tool), and a soft edge brush nib to add sun rays. I noticed the shadows under the outdoor seating and the tree at the bottom right corner of the picture and will have that in mind later on. But what is good, is that it's possible to work with the light and shadows and contrasts. Open the photograph in Corel PHOTO-PAINT X7 and look at where the present lighting is coming from. They can turn out to be great assets as work progresses during a project. I always begin by looking at the strong and weaker areas in a photo. Looking back at this neighbourhood in Berlin Mitte, I thought it would provide an excellent example of making something ordinary a bit more exiting and imaginative. I took several photos, and this one is the one I will be using for this tutorial, so it came in use. Quite ordinary, right? I walked the streets and came to a bohemian neighbourhood.
Take this photograph for example, which I took on a trip to the former East Berlin Mitte district in Germany a few years ago.
This is kind of in my DNA as I never know what my next design & illustration work will be about. Well this Londoner did miss a point – I may have been a tourist but I always take reference photos as well. I remember walking on the millennium bridge in London, when a local Londoner walking with his lunch date, made a loud comment as if he wanted me to overhear him: "I don't understand why tourists take all these photos all the time". Most of the photographs we take with our cameras, can be turned into something far more exciting and imaginative. Image manipulation using Corel PHOTO-PAINT X7 By Stefan Lindblad
#Corel photo paint x7 tutorials license#
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